AMC’s Preacher stormed onto our scenes, hitting hard and fast. Heralded by a number of increasingly vague trailers that hinted at the action but didn’t offer much in the way of detail, ramping up the sense of intrigue and anticipation, it came into play with all the subtlety of a battering ram, quickly and firmly establishing itself at the very top of many lists.
It hasn’t let up since. Frequently shocking and often controversial, it pulls no punches, and never shies away from difficult, controversial topics. It doesn’t allow for a quick and easy division of ‘right’ and ‘wrong’ in its plotlines, and certainly does not offer the scope for a breathtakingly simple identification of trope-heavy heroes and villains. As far as the characters are concerned, variety is the name of the game, and their motives are suitably dubious, preventing easy categorisation. They’re layered, complex and diverse enough to be realistic, but retain enough similarity to believably exist in a single community.
(Pause for breath.)
The third episode of Preacher is just as gleefully, shamelessly, unequivocally dark as the first two, gifted with a veritable boatload of oozing, evocative atmosphere. Entitled “The Possibilities,” the thematic focus of the episode seems to be on choices, and the ramifications. Some are made well, others badly, and from Jesse’s eventual acceptance of his odd new ability to Tulip’s insistence on pursuing revenge, there’s genuine and realistic diversity across the board. In this episode, as in the previous two, Preacher doesn’t fail to take into account some particularly harsh truths.
The pacing of the third episode is interesting, as it is primarily characterised by an intriguing mix of long periods of slow movement and relative inactivity, and then sudden bursts of shocking – and often violent – action. Preacher is heavy on blood and guts (metaphorically and literally, it’s like Christmas) and the structured pacing provides for a startling contrast between scenes, setting Preacher apart from shows that favour the consistent bludgeoning approach (that is the official term) of forty-five minutes of intense, death-defying drama. The weather in Preacher is oppressively hot, with little evidence of relieving rain or an occasional cool, stirring breeze, and this contrast between action and lethargy certainly has connotations of hot summer days. Preacher’s depicted weather goes a long way towards implementing a particularly anticipatory atmosphere, as in lingering heat tempers fray, and boiling points are reached absurdly quickly.
(I’m nodding approvingly.)
I thought this was a good, solid episode. Preacher has settled into a strongly recognisable pattern, featuring typically shocking material and a distinct fondness for exploring controversial topics and opinions with impunity. I thought the first episode dragged on far too long, bolstered with scenes that were useful neither for establishing the universe nor for developing the characters, but the second and third ticked along nicely, providing various new threads to existing plotlines, and further developing the introduced characters.
In the third episode, Cassidy chooses to reach out to the vampire hunting vigilantes, who, to his immense surprise, turn out not to be vampire hunting vigilantes at all, but rather a couple of blokes on the side of the angels with an inexplicable fondness for cowboy hats, Tulip (unsurprisingly) chooses to make another doomed effort to reach out to Jesse, and Jesse chooses, somewhat predictably, to yet again bewilder anyone and everyone by setting out on the long road to some sort of believed redemption, with the rest of the town getting dragged along behind him, regardless of their opinions on the matter.
Did I enjoy it?
It was irreverent, unapologetically dark, and very well structured, furthering the main plotlines without losing sight of the all-important world-building detail.
However, it was also a little predictable. Tulip has been trudging the same path since day one, Jesse’s vacillating faith is par for the course, and Cassidy’s confrontation of the two blokes that he believes are stalking him is surely only to be expected, given his previously-aired prejudice against anyone reckless enough to hunt him down. As such, my favourite parts of the episode were the parts I couldn’t predict, which were in short the shock revelation in regards to the two taciturn antagonists claiming to be from ‘the government,’ and, subsequently, Cassidy’s interactions with the two men in question.
Cassidy’s major involvement in their plotline was nothing less than genius. Watching the three odd creatures bond over their shared beliefs (and general oddness) was decidedly entertaining, and inexplicably heart-warming. With many reasons to dislike each other, they nevertheless located shared ground, and despite mutual distrust, it was that shared ground that prevailed, an interesting response in a town in which violent behaviour is common on every day ending in ‘Y.’ The singularly bizarre nature of their conversation was great material, both entertaining and intriguing.
On a similar note, Cassidy and Jesse’s dubious testing of Jesse’s shiny new ability was also thoroughly amusing, and yet it did not lose sight of the darker options and consequences of what said ability might plausibly achieve.
(Cassidy may or may not be my favourite character. I admit nothing.)
As for what I didn’t like, it seems safe to say that I was simply a little unimpressed with the predictability of the rest of the episode, as the first two had, in every respect, been the opposite. This isn’t a major concern, but just my given reason for why I wouldn’t rate it as highly as the others.
To sum up, I enjoyed the third episode of Preacher a lot. Thoroughly dark and frequently hard-hitting, it doesn’t make things easy for the viewer. There are no attempts to use a cleverly discreet camera angle by which violence might be implied but not explicitly depicted, and the viewer is obliged to see and understand everything in truly graphic detail, complicit to the violent acts that have been committed. With such a talented cast, and clever writing and production – in particular, I found the exceedingly varied dialogue admirable, as it is a rare show indeed that conveys more in the spaces between what characters say than in long, flowery speeches – even the parts that did not, strictly speaking, exceed my expectations, were still very good. It was a strong, entertaining episode that bodes well for what comes next.
(Please excuse me while I clamber down from this soapbox.)